Rushmore Host Guide
Wes's visual trademarks include 1) vintage flair, 2) a thematic and bold colour scheme 3) keen costume design. Those are obvious components of this unique aesthetic, there are numerous subtle ways he creates his distinctive look.
Act 1: Establishing Characters
- π¦ππΌ: Max Fischer - an eccentric 15-year-old student at Rushmore Academy.
- π«π°: Rushmore Academy - a prestigious private school funded by wealthy patrons.
- ππ¬: Extracurriculars - Max is involved in numerous extracurricular activities, including the school play.
- ππ©βπ«: Miss Cross - Max develops a crush on his teacher, Rosemary Cross.
- π¨βπ¦³π°: Herman Blume - Max befriends the wealthy industrialist and school benefactor.
Act 2: The Crush
- ππ: Love Letter - Max writes a love letter to Miss Cross.
- π΅οΈπ: Investigation - Herman investigates his feelings for Miss Cross.
- ππ: Grand Gesture - Max attempts to build an aquarium for Miss Cross.
- π«π«: Expulsion - Max is expelled from Rushmore for his unauthorized project.
Act 3: Life After Rushmore
- π’π: Public School - Max transfers to a public school.
- ππ¬: Playwriting - Max continues his passion for writing and directing plays.
- π³π«: Friendship - Max befriends Margaret, a classmate from his new school.
- ππ’: Heartbreak - Max discovers Herman and Miss Cross are dating.
Act 4: Revenge
- ππ: Bees - Max releases bees in Herman's hotel room.
- π«π: Birthday Ruined - Max ruins Herman's birthday party.
- π¨βπ¦³π¦π: Fisticuffs - Herman and Max have a physical confrontation.
Act 5: Rock Bottom
- ππ₯: Hospitalized - Max is hospitalized after a minor accident.
- π π©: Mother's Memory - Max visits his mother's grave.
- π«π ββοΈ: Friendship Breakup - Max and Herman's friendship breaks apart.
- ποΈπ¦π¨βπ¦³π: Grave Visit - Max meets Blume at his motherβs grave and realizes that revenge is pointless as Rosemary loves Blume.
- π€π’: Reclusive Max - Max withdraws, skipping school to work at his father's barbershop.
Act 6: Turning Point
- ππ¨βπ¦°: Dirk's Apology - Dirk visits Max, apologizes, and brings a Christmas present.
- π₯π΄: Hospital Visit - Dirk tells Max about Guggenheimβs stroke; Max visits him and runs into Blume.
- π¨οΈπ¨βπ¦³: Blume's Revelation - Blume reveals Rosemary ended things as she still loves her late husband.
- ππͺ: Academic Turnaround - Max returns to school and starts improving his grades.
Act 7: A Helping Hand
- ππ₯π’: Fake Injury - Max pretends to be injured in a car accident to win Rosemaryβs affection but is rebuffed.
- π π·ββοΈπ ββοΈ: Aquarium Attempt - Max tries to reconcile Blume and Rosemary through an aquarium ceremony, but she doesn't show.
- ππ£: Vietnam Play - Max invites Blume and Rosemary to his Vietnam War-themed play, which moves Blume.
Act 8: Resolutions
- πποΈ: Reconciliation - Blume and Rosemary appear to reconcile after the play.
- π¦π: Max & Margaret - Max reveals to Blume and Rosemary that heβs dating Margaret.
- πΊπ: Dance - Max and Rosemary share a dance at the after-party.
Thematic Reflection
- π¦In Herman, he finds the father (and resources) he's always wanted.
- π·ββοΈIn Max, Herman finds the son he'd rather have.
- Jason plays a 15 year old version of the Bill Murray of 10 years prior, the arrogant wiseass of films like 'Stripes' and 'Ghostbusters 1.
- Schwartzman just kills it as Max in all his insecure and arrogant glory. He makes the now infamous exchange of βThese are O.R. Scrubs.β βOh, are they?β
- πIn Miss Cross, Max finds the Mother he never knew, but is provoked by bullies and his own narcissism to make her more than that.
- In Max, Miss Cross finds the gift son she never got to have, which reconnects her to her lost husband, who Max reminds her of a young version of.
- π¨ππ°οΈ: Contrasting Past - Andersonβs meticulous mise-en-scene contrasts with the fast pace of modern life, showing a longing for a flawed, unpredictable past.
- ππ: Hope & Transformation - Through accidents, incidents, and unseen forces, Anderson captures themes of hope and transformation.
LONG VERSION
Intro: Formalism
"Chapter Style"
Frequently breaking his movies up into chapters, Anderson is fond of presenting the story to the audience as if viewers were reading a novel. These pauses have become a recognizable part of Wes Anderson's style.
ACT 1 Establishing Characters
- π¦ππΌ: Max Fischer - an eccentric 15-year-old student at Rushmore Academy.
- Keen Costume Design π
- Max's Beret and Blazer: Maxβs distinctive beret and Rushmore Academy blazer are essential in establishing his character as an eccentric and ambitious student.
- School Uniforms: The Rushmore Academy uniforms worn by the students throughout the film create a visual consistency and a sense of order within the school setting.
2. π«π°: Rushmore Academy - a prestigious private school funded by wealthy patrons.
- Wes's visual trademarks include 1) vintage flair, 2) a thematic and bold colour scheme 3) keen costume design. Those are obvious components of this unique aesthetic, there are numerous subtle ways he creates his distinctive look.
- In fashion, a huge number of big-name brands, including Lacoste, Gucci and Louis Vuitton have channelled Wes Anderson in their collections.
- The decor of his films has also been influential, with his The decor of his films has also been influential, with his filmsβ ubiquitous Scalamandre zebra-print wallpaper becoming hugely popular in fine-dining establishments around the world.
You can tell a lot about a movie based on its color palettes. Color evokes mood and tone. And few directors understand this quite as idiosyncratically as Wes Anderson

3. ππ¬: Extracurriculars - Max is involved in numerous extracurricular activities, including the school play.
ποΈ In-Camera Editing ποΈ
- Montages: 'Rushmore' features in-camera editing through montage sequences such as Maxβs extracurricular activities, which are presented with rapid cuts and pans.
- Character Introduction: The whip pan is used when introducing Max's father, Bert Fischer, cutting quickly to him sitting in his barbershop.

Tableau Shots πΌοΈ
- Classroom Scenes: In several scenes, characters are arranged like a tableau, where they are in a still or semi-still formation and framed in a picturesque way. This is evident in classroom scenes where students are set in meticulous compositions.
4. ππ©βπ«: Miss Cross - Max develops a crush on his teacher, Rosemary Cross
This is where Wes Anderson was inspired by "the Β Graduate."

Mike Nicholsβ The Graduate has always been a favorite of Wes Andersonβs. He even admitted to stealing a couple of Nicholsβ shots for use in Rushmore, but reversing them so they were subtle. Β
Wes Anderson Trademark Symmetrical Composition β¨
- Play Scenes: In 'Rushmore,' several scenes from Max's plays are framed symmetrically, with the stage in the center and the audience or characters on either side.
- Library Scene: When Max (Jason Schwartzman) is in the library, the shelves and books are symmetrically arranged behind him.
π°οΈ Vintage Flair π°οΈ
- Retro Soundtrack: 'Rushmore' has a vintage soundtrack featuring classic rock from the 1960s, giving the film an older, nostalgic feel.
- Props and Settings: The school and its classrooms have an old-fashioned feel, with wood-paneling and dated dΓ©cor, reminiscent of the mid-20th century.
3. Β π¨βπ¦³π°: Herman Blume - Max befriends the wealthy industrialist and school benefactor.
In Herman, he finds the father (and resources) he's always wanted.
In Max, Herman finds the son he'd rather have.
- Jason plays a 15 year old version of the Bill Murray of 10 years prior, the arrogant wiseass of films like 'Stripes' and 'Ghostbusters 1.
- Schwartzman just kills it as Max in all his insecure and arrogant glory. He makes the now infamous exchange of βThese are O.R. Scrubs.β βOh, are they?β
In Miss Cross, Max finds the Mother he never knew, but is provoked by bullies and his own narcissism to make her more than that.
In Max, Miss Cross finds the gift son she never got to have, which reconnects her to her lost husband, who Max reminds her of a young version of.
Act 2: The Crush
- ππ: Love Letter - Max writes a love letter to Miss Cross.
Handwritten Letters & Notes π
- Correspondence: Max frequently writes letters in 'Rushmore'. The handwritten correspondence and notes are a recurring theme in many of Wes Andersonβs films. In 'Rushmore', they help to convey character emotions and intentions.
Heavy Themes, Lighthearted Exploration: Family, Love, Life Death
- Family is, among other themes, a very recurrent trademark in Anderson's films. Aside from dysfunctional families, friends, love, and death frequently play a part in his movies, too.
Forbidden Love
- As a filmmaker who is very keen on exploring human connection, the quirky director loves to showcase the importance of bonds in his films, for better or for worse. Forbbiden love seems to be a very prominent topic, as well as the importance of personal space.
2. π΅οΈπ: Investigation - Herman investigates his feelings for Miss Cross.
π Deadpan Humor π
- Max's Dialogue: Max Fischer delivers many lines with a straight face and seriousness, despite the absurdity of what he's saying. For example, when he says, βI saved Latin. What did you ever do?β
- Facial Expressions: Bill Murrayβs character, Herman Blume, is often expressionless even in hilarious or absurd situations, adding to the deadpan humor.
ππ: Grand Gesture - Max attempts to build an aquarium for Miss Cross.
- π«π«: Expulsion - Max is expelled from Rushmore for his unauthorized project.
Wes was influced by the film "400 Blows"
Its a french film by Truffant where the main character plays hooky, runs away from home, steals a typewriter, gets busted trying to return it, is booked by the cops and winds up in reform school.
Act 3: Life After Rushmore
- π’π: Public School - Max transfers to a public school.
- ππ¬: Playwriting - Max continues his passion for writing and directing plays.
π¨ Thematic and Bold Colour Scheme π¨
- Red and Yellow: 'Rushmore' makes prominent use of reds and yellows. Max's school Rushmore has a deep red curtain in the theater and the yellow of Miss Crossβs classroom creates a warm and nostalgic atmosphere.
- Green: The frequent use of green, especially in the schoolβs uniform, represents the school's atmosphere and a coming-of-age theme.
- π³π«: Friendship - Max befriends Margaret, a classmate from his new school.
- ππ’: Heartbreak - Max discovers Herman and Miss Cross are dating.
Act 4: Revenge
- ππ: Bees - Max releases bees in Herman's hotel room.
British Invasion Music: 'Rushmore' incorporates a soundtrack featuring British Invasion bands like The Who and The Kinks, setting the tone and complementing the story and character arcs.
- π«π: Birthday Ruined - Max ruins Herman's birthday party.
The war of pranks that comes out of Max and Blumeβs rivalry over Rosemary, which includes Blume driving over Maxβs bike and Max getting him back by putting bees in his hotel room
- π¨βπ¦³π¦π: Fisticuffs - Herman and Max have a physical confrontation.
Act 5: Rock Bottom
- ππ₯: Hospitalized - Max is hospitalized after a minor accident.
- π π©: Mother's Memory - Max visits his mother's grave.
Parent-Child Relationships π¨βπ¦
- Max and His Father: The complex relationship between Max and his father with the loss of his mother is a theme in 'Rushmore'. Anderson often explores family dynamics and parent-child relationships in his films.
- π«π ββοΈ: Friendship Breakup - Max and Herman's friendship breaks apart.
Complex Characters π Wes Anderson often creates characters with complex personalities and backgrounds. In 'Rushmore', Max Fischer is a prime example, as he's ambitious and creative, but also flawed and at times socially awkward.
Title Cards: 'Rushmore' is divided into chapters with title cards, which is a common narrative technique in Andersonβs films. This gives a literary and structured feel to the storytelling.
Act 5: Reevaluation
- ποΈπ¦π¨βπ¦³π: Grave Visit - Max meets Blume at his motherβs grave and realizes that revenge is pointless as Rosemary loves Blume.
- π€π’: Reclusive Max - Max withdraws, skipping school to work at his father's barbershop.
Act 6: Turning Point
- ππ¨βπ¦°: Dirk's Apology - Dirk visits Max, apologizes, and brings a Christmas present.
- π₯π΄: Hospital Visit - Dirk tells Max about Guggenheimβs stroke; Max visits him and runs into Blume.
- π¨οΈπ¨βπ¦³: Blume's Revelation - Blume reveals Rosemary ended things as she still loves her late husband.
- ππͺ: Academic Turnaround - Max returns to school and starts improving his grades.
Act 7: A Helping Hand
- ππ₯π’: Fake Injury - Max pretends to be injured in a car accident to win Rosemaryβs affection but is rebuffed.
- π π·ββοΈπ ββοΈ: Aquarium Attempt - Max tries to reconcile Blume and Rosemary through an aquarium ceremony, but she doesn't show.
- ππ£: Vietnam Play - Max invites Blume and Rosemary to his Vietnam War-themed play, which moves Blume.
Act 8: Resolutions
- πποΈ: Reconciliation - Blume and Rosemary appear to reconcile after the play.
- π¦π: Max & Margaret - Max reveals to Blume and Rosemary that heβs dating Margaret.
- πΊπ: Dance - Max and Rosemary share a dance at the after-party.
Thematic Reflection
- π¨ππ°οΈ: Contrasting Past - Andersonβs meticulous mise-en-scene contrasts with the fast pace of modern life, showing a longing for a flawed, unpredictable past.
- ππ: Hope & Transformation - Through accidents, incidents, and unseen forces, Anderson captures themes of hope and transformation.
Final Scene: At the end of the movie, during the post-play celebration, the characters are shown in slow motion. This is a common Anderson technique, often used to emphasize the emotional depth of a scene.
Comments ()