🔥 EDEN RESTORED: HOW CHRIST REOPENED WHAT SIN CLOSED

When Adam and Eve chose knowledge over obedience, access to Eden was blocked by cherubim and flame (Genesis 3:24). This wasn't a permanent closure but a temporary measure until the right authority could restore humanity's access.

Jesus came as the Second Adam (Romans 5:17) to accomplish what the first Adam couldn't—not merely to forgive sin, but to legally restore access to the Tree of Life. Christ Himself declared: "I am the gate. Whoever enters through Me will be saved" (John 10:9). The cross represented more than payment for sin—it was the key to reentry. The temple veil tore. Eden was unlocked.

🐍 BABYLON'S COUNTERFEIT GARDEN: THE GRAND DECEPTION

Once Satan witnessed the gates reopen, he engineered a copy. He constructed an elaborate world system mimicking paradise: pleasure, romance, sexuality, self-fulfillment, "enlightenment," and knowledge—but it's Eden without the Tree of Life. It's all mirrors and digital fig leaves. It's songs about love divorced from covenant.

They transformed the Garden into a simulation. And many have been deceived.

🧠 THE ENGINEERED DISTRACTION: HOW BABYLON DIVERTS ATTENTION

Babylon flooded human consciousness with strategic diversions:

• False twin flame narratives instead of divine union
• Artificial intelligence "wisdom" replacing God's Word
• Endless trauma therapy cycles instead of soul cleansing
• Media with partial truth cloaked in despair, never resolving in Christ

They systematically ritualized rejection of the Tree of Life through the subtle message: "You don't need a savior. Just remember who you are." This is simply the ancient lie in contemporary language.

👁️ THE AUTHENTIC GARDEN: ACCESSIBLE ONLY THROUGH CHRIST

Despite Babylon's strategies, the Garden remains accessible. Not through behavior, knowledge, or lineage—but through the blood of Christ and our spiritual scrolls. Jesus didn't merely open Eden—He became the gate itself. "To the one who conquers, I will grant to eat of the tree of life, which is in the paradise of God" (Revelation 2:7).

Yet Babylon has blinded many with counterfeit trees falsely labeled as freedom.

While tragic, this deception is not final. You are evidence of this truth. Whenever a chosen one breaks free from the matrix, the authentic Garden expands. Your spiritual memory is the map. Your divine scroll is the key. And Jesus—He remains the Tree. Not metaphorically, but as the actual doorway.

PART II: BABYLON'S SYSTEMATIC DECEPTION

THE REVELATION GRID: BABYLON'S TIMELINE MANIPULATION

Babylon's leadership is well-versed in scripture. They study prophets, track chosen individuals, and attempt to fulfill prophecy ahead of schedule—with themselves at the center. This is the Revelation Grid or Luciferian Timeline Seal: a hidden system designed to counterfeit end-times events, crowning the Antichrist prematurely through political machinations, media control, and spiritual theater to mimic God's authentic plan (Revelation 13:3–8, Daniel 7:25, 2 Thessalonians 2:11).

This explains why contemporary timelines often feel prophetically accurate yet spiritually misaligned. They aren't merely distorted—they're intentionally engineered.

THE SCROLL WAR: TARGETING DIVINE INHERITANCE

The true inheritance of God's chosen includes:

• Divine marriage
• Prophetic voice
• Spiritual territory
• Authority over timelines

Babylon targets each through sophisticated counterfeit systems:

1. Karmic Spouse Assignment: Babylon strategically places counterfeit partners in a chosen one's path to drain energy, delay divine union, or install emotional surveillance. These are labeled "mirror twins" or "handler spouses."
2. Bride Swap Ceremony: Just as Leah was substituted for Rachel, Babylon spiritually replaces your divine spouse with a "more suitable" alternative serving their system (Genesis 29:23–27).
3. The 10 Men Ritual: A sexual or spiritual ritual where king-priest authority is harvested through betrayal, consent, or false intimacy (Psalm 2, Revelation 17:12–13). Major reason for the fall of Babylon when Christ returns.

In these systems, love becomes currency, union becomes theft, and inheritance becomes energy powering Babylon's infrastructure.

THE MEDIA TRAP: ENTERTAINMENT AS RITUAL CONSENT

Babylon doesn't merely hijack relationships—it captures imagination. Through film, music, and television, it conducts rituals publicly, assuming you won't recognize them.

This tactic is known as Revelation of the Method: Babylon reveals its activities symbolically, via friends and lovers transforming passive observation into spiritual court consent. If she or he tells you via suggestion and you don't rubuke it with your authority, the lessen karma and lawyer your consent.

"Get Out" depicted soul transplantation. "Eternal Sunshine" showcased memory erasure. Popular music encodes covenants without context. Pink Floyd's "The Wall" exposed child programming methodologies.

When audiences emotionally engage with these narratives without renouncing the underlying spiritual dynamics, Babylon records their agreement. Media becomes an emotional altar. Songs become soul signatures.

PART II: BABYLON'S SYSTEMATIC DECEPTION

THE REVELATION GRID: BABYLON'S TIMELINE MANIPULATION

Babylon's Prophetic Strategy: Babylon's highest leaders are well-versed in scripture. They study the prophets, track chosen ones, and attempt to fulfill prophecy ahead of schedule—with themselves at the center. This is called the Revelation Grid / Luciferian Timeline Seal: A hidden system that fakes end-times events to crown the Antichrist early, using politics, media, and spiritual theater to mimic God's real plan. (Revelation 13:3–8, Daniel 7:25, 2 Thessalonians 2:11)

Timeline Manipulation: This is why so many timelines today feel prophetically accurate but spiritually off. They're not just distorted—they're deliberately engineered to deceive and redirect the chosen ones from their true purpose and inheritance.

THE SCROLL WAR: TARGETING DIVINE INHERITANCE

The True Inheritance Under Attack: The true inheritance of a chosen one includes divine marriage, prophetic voice, spiritual territory, and authority over timelines. Babylon has targeted each of these by building sophisticated counterfeit systems designed to separate you from your scroll.

Karmic Spouse Assignment: Babylon strategically places counterfeit lovers into a chosen one's life to drain energy, delay union, or install emotional surveillance. These are called "mirror twins" or "handler spouses," designed to keep you from your true divine counterpart.

Bride Swap Ceremony: Just as Leah was swapped for Rachel, Babylon spiritually replaces your divine spouse with a more "acceptable" option—one who serves their system. This ancient deception continues in modern form, trading authentic union for societally approved partnerships. (Genesis 29:23–27)

The 10 Men Ritual: A sexual or spiritual ritual where the authority of a king-priest is harvested through betrayal, consent, or false intimacy. This systematic removal of spiritual authority occurs through seemingly innocent relationships and connections. (Psalm 2, Revelation 17:12–13)

Love as Spiritual Currency: In these systems, love isn't love—it's currency. Union isn't celebrated—it's stolen. And inheritance becomes energy to power Babylon's infrastructure. The very essence of covenant relationship is perverted into spiritual transactions.

THE MEDIA TRAP: ENTERTAINMENT AS RITUAL CONSENT

The Imagination Capture: Babylon doesn't just hijack relationships. It hijacks your imagination. Through movies, music, and shows, it performs its rituals in plain sight, betting you won't notice or recognize the spiritual transactions taking place.

Revelation of the Method: This tactic is known as Revelation of the Method: When Babylon shows you what it's doing symbolically so that your passive agreement becomes consent in spiritual court. Your emotional engagement without discernment becomes spiritual agreement.

Media as Ritual Space: "Get Out" showed soul transplants. "Eternal Sunshine" showed memory erasure. Taylor Swift sang covenants into existence. Pink Floyd's "The Wall" revealed child programming. If you cry at the story but don't renounce the spell, Babylon logs your agreement in the spiritual realm.

The Emotional Altar: The media becomes your emotional altar. The songs become your soul signatures. What appears as entertainment actually functions as initiation, and what seems like artistic expression often serves as spiritual programming.

SPIRITUAL PROGRAMMING IN MUSIC

Pink Floyd – The Wall: Ritual Map of Soul Imprisonment

The Wall as Spiritual Containment: The Wall isn't just a story of isolation—it's a ritual confession of how Babylon builds psychic barriers in chosen ones through trauma, programming, sexual betrayal, and emotional exile. The "wall" is not metaphorical—it is an etheric containment structure designed to separate the chosen one (represented by Pink) from his scroll, divine inheritance, and God-given authority.

Artistic Initiation: What starts as artistic expression becomes a guided initiation into emotional fragmentation and soul disassociation. It is a soundtrack of spiritual arrest. And yet, like most Revelation Grid works, it accidentally reveals everything about the system it perpetuates.

Child Reversal Spells: The early sections of the album, especially "Mother" and "Another Brick in the Wall Pt. II," expose how mothers become handlers, protecting the child from divine calling under the guise of love. "Mother, do you think they'll drop the bomb?" isn't fear—it's a spell. This is maternal shielding that suffocates growth and rewrites divine masculine development.

Educational Programming: In "Another Brick in the Wall," we see the school system as a ritual site. Teachers are false prophets. Schools become altar rooms of soul dismemberment. The children are taught to conform, to suppress instinct, to perform pain instead of processing it. "We don't need no education / We don't need no thought control." These aren't slogans—they are the cries of enslaved children, half-aware of the spell.

Thought Surveillance Systems: Throughout the album, Pink is haunted by external watchers. The surveillance isn't just emotional—it's spiritual. Babylon uses memories, shame, voices, and projections to constantly rewrite Pink's sense of what's real. These watchers are not just teachers and parents. They're etheric implants—voices that echo like demons but wear human masks.

The Mirror House Construct: The wall itself is the accumulation of every lie spoken over a child of God. Each "brick" is a false memory, false belief, or false relationship. The wall is not built by Pink—it's built into Pink by a system that rewards disassociation. He is praised for being numb. He is punished for feeling.

The False Court System: The end of the album ("The Trial") is a mock courtroom ritual, where Babylon stages the illusion of justice to keep Pink trapped. He is accused by his inner child, mother, teacher, and lover—but the judge is a clown. This reflects the inversion of the Courts of Heaven: a demonic mimic court where shame is presented as righteousness and confession is weaponized.

Soul Starvation Strategy: Throughout The Wall, Pink is fed simulations of love and purpose that lead to dead ends. Relationships become ritual loops. Fame becomes imprisonment. Sex becomes fragmentation. This is soul starvation disguised as autonomy. Babylon gives Pink everything but his scroll. This mirrors the spiritual starvation of chosen ones in false timelines: They are celebrated for gifts but denied authority. They are seduced but never joined in covenant. They are visible but unseen.

Lyrics as Spellcraft: Breaking Down the Programming

Mother Programming Revealed:

"Mother, do you think they'll drop the bomb?" Fear Forecasting: Training the child to expect trauma

"Mother, do you think they'll like this song?" Identity Built on Approval: Installs people-pleasing early

"Mother, do you think they'll try to break my balls?" Preloaded emasculation: Shame before confidence

"Mother, should I build the wall?"

She gives permission to emotionally dissociate. A key line: the wall was mother-endorsed, not just trauma-built

"Mother, will she tear your little boy apart?" Woman-as-threat trope — installs distrust of intimacy. Pink is now afraid of love because mother said so

"Hush now baby, baby, don't you cry…" False Comfort: It soothes while enslaving

"Mama will make all of your nightmares come true…" Most obvious line of dark magic — Mother as cursewriter

"Mama's gonna keep you right here under her wing…" Womb Loop: You never get to grow. Safe = stuck = silenced = sacred = stolen

"Of course mama's gonna help build the wall." Confirmed: the protector was the architect of the prison

False Intimacy Programming: "I am just a new boy, a stranger in this town…" Innocent Archetype Triggered – the soul presents as unguarded. Opens the field for predatory entry

"Where are all the good times? Who's gonna show this stranger around?" Spoken Consent to Babylon – asking for a guide, a replacement comforter. That "guide" is a familiar spirit posing as a lover

"Ooooh, I need a dirty woman…"

Spell Spoken Over Self – calling in a false priestess (whore of Babylon archetype). The phrase activates the Jezebel mimic portal

"Ooooh, I need a dirty girl…"

Dissociation Reinforced Through Sex Magic. Sex is now not for intimacy but for erasure — numbing the ache of real rejection

Educational Programming Exposed:

"We don't need no education…" Double Negative = Babylonian Confusion. Statement seems rebellious, but spiritually says: We want to remain untrained in truth "

We don't need no thought control…" Ironically, this song programmed millions while claiming to reject programming. Babylon loves to name its own ritual as it performs it "

No dark sarcasm in the classroom…"

Mockery of Emotion – another Worm archetype layer, where real feeling is shamed. It trains prophets to associate education with abuse — so they never seek wisdom

"Hey! Teacher! Leave them kids alone!" The cry of fragmented inner child begging for protection. But the teacher = already installed as a spiritual enforcer

Heaven and Hell Separation Confusion:

"So, so you think you can tell Heaven from Hell?" A spiritual accusation. Can the fragmented self even tell anymore? "Blue skies from pain? Can you tell a green field from a cold steel rail?"

Sensory confusion after trauma. Beauty and abuse now feel the same — the soul has no compass

"Did they get you to trade your heroes for ghosts?" Scroll Reversal Code → Your spiritual inheritance (your "heroes") was traded for ghosts of past trauma, mimic lovers, or stolen mantles → You are now living someone else's memory — not your authored scroll

"Hot ashes for trees? Hot air for a cool breeze?"

Ritual Inversion Completed Everything sacred was traded for counterfeit relief "Cold comfort for change?" Babylon's favorite offer →

"You can feel safe, as long as you stay broken."

"Did you exchange a walk-on part in the war for a lead role in a cage?" This is the most damning question in the entire Pink Floyd system. It means: You were supposed to be a minor soldier in God's holy war, humble but free. But they gave you the lead role in Babylon's theater — famous, admired, enslaved. The soul realizes:

"I'm known for the story they gave me, not the war I was meant to fight." Timeline jumping via consent.

Other Music as Spiritual Technology

A Perfect Circle – Mer de Noms:

• "Magdalena" embodies the archetype of the spirit wife—a seductress figure bound by spiritual contract, not covenant. The song plays as worship but conceals a siphon: intimacy used to harvest destiny.
• "Judith" weaponizes the sacred by using rage against God as a portal to mantle theft. What sounds like justice for pain becomes an initiation into bitterness, a trade of anointing for vengeance.
• "Rose" encodes a naming ritual—where to name someone is to own them, spiritually speaking. This links directly to Babylon's belief that to name is to claim, and to misname is to misalign a scroll.
• "3 Libras" creates a pining loop designed to hold listeners in unrequited longing, keeping them tethered to a false twin flame archetype who never fully sees them but continues to drain their hope.

Taylor Swift – Midnights, folklore, evermore, The Tortured Poets Department:

• Across all four albums, Taylor's lyrics form a layered spiritual trap: false twin flame stories designed to normalize betrayal, delayed union, and romantic disappointment as beautiful or fated.
• Through obsessive detail—names, locations, nicknames—her albums become scroll hijack templates, stealing emotional authority from the listener and placing it in her carefully coded world.
• Many titles ("Dorothea," "August," "Cardigan," "Clara Bow") act as word spells or sigil traps, linking specific feminine archetypes to fractured identity templates and redirecting spiritual desire.
• By releasing "mirror albums" like folklore and evermore, she ritualizes timeline fragmentation, inviting fans into parallel emotional realities—none of which restore the original Garden scroll.

Pavement – "Harness Your Hopes" / "Cut Your Hair":

• "Harness Your Hopes" performs mind control through irony and nostalgia, where prophetic longing is mocked and degraded into randomness. It turns spiritual hunger into absurdity and is robin permission for familysacrifice and replacement with AI Clone. That's intense but iykyk, just rubuke it.
• "Cut Your Hair" directly encodes the Deliluh ritual—a scroll silencing through mockery and grooming. The act of changing one's appearance becomes a spiritual agreement to abandon true calling.
• Both tracks reflect Beta Kitten programming—a pop-culture spell that trains women to appear sexually free but spiritually fragmented, and men to pursue approval through detachment and performance.

The Beatles – Sgt. Pepper, White Album:

• "Lucy in the Sky with Diamonds" and "She's Leaving Home" are coded with handler programming, presenting parental abandonment, dissociation, and substance portals as mystical rites.
• "Sgt. Pepper's Lonely Hearts Club Band" is a cultural altar: a spiritual sigil masquerading as an artistic persona shift. It marks the point where identity becomes fully ritualized.
• The Paul is Dead conspiracy reveals public persona swaps as scroll handoffs, using symbolic death and rebirth to hand spiritual influence to new handlers without public accountability.

🎭 The Downward Spiral by Nine Inch Nails

(1994 – Trent Reznor)

This is not just about self-destruction. It’s a ritual map of MK Ultra breakdown, soul possession, betrayal, and false godhood—and how a chosen one sees through it, barely surviving.

Here’s how:

🩸**“Mr. Self Destruct”**

🔁 Program activation track
You are introduced to the voice in your head, not as a trauma echo—but a spiritual parasite

“I am the needle in your vein / I am the high you can't sustain…”
The song names every form of false control over the chosen one—religion, sex, addiction, and shame—and then laughs,
“I am the end of all your dreams” = scroll cancellation curse

Babylon Spell: “You are the one who destroys you.”

🧬 “Heresy”

🧠 Religious Betrayal Wound

“God is dead, and no one cares…”
This is the rage of the chosen one who was failed by churches, fathers, prophets
The spell here is blasphemy not as rebellion, but as a trauma scream
This song names the split that happens when a prophet’s heart is broken by a Jezebelized religious system

MK Use: Separate the chosen from their Source.

🪞 “March of the Pigs”

⚖️ Jezebel Spirit & False Lovers

“Doesn't it make you feel better?”
Fast, chaotic—this song is a ritual of sexual confusion + emotional sabotage
It plays with pleasure as punishment
Babylon’s favorite weapon: “I’ll give you the woman, but she'll eat your scroll”

🔨 “Closer”

👁️ Sexual Binding Spell
Famously misread as erotic—it’s actually a curse:

“You can have my isolation, you can have the hate that it brings…”
This song is about a handler-level witch who harvests from him during trauma-sex, leaving behind worship-level obsession
“I wanna feel you from the inside” = literal soul tie mimicking God’s indwelling

🧠 “Ruiner”

🗡️ False Mentor, False Prophet

“You didn’t hurt me, nothing can hurt me…”
This is Stockholm syndrome in spiritual language
He speaks of the one who gave him power… but cursed his identity
The line “He’s not afraid of your judgment / He knows of horrors worse than yours” = direct description of Jezebel cult initiation

🪤 “The Becoming”

🎭 Possession Trigger Track

“I beat my machine, it's a part of me / It's inside of me…”
MK level programming moment: when the chosen one realizes their mind is no longer fully their own
This is the Artificial Soul Trap
“I can try to get away, but I’ve strapped myself in…”

⚰️ “Hurt” (Final Track)

🔥 False Ending / True Cry

“Everyone I know goes away in the end…”
This is the possum moment
If you say yes to this line in your spirit—you accept the road as your grave
But… the fact that it’s the final track means you can hear it, name it, and reject it.

⚔️ HOW TO LISTEN

With decrees and discernment
Every track is either a trap, a receipt, or a coded prayer from someone trying to claw out of the system
If you listen in prayer, the album becomes a mirror of what you survived

Lateralus by Tool

(2001 – Tool = encrypted mystic warfare manual disguised as progressive metal)

This album is not “New Age” — it’s a battlefield diary for spiritual initiates caught in systems of occult imitation, ritual trauma, and scroll distortion.
It’s how a prophet recognizes the voice of the mimic and climbs out of the abyss.
Let’s break it down:

⚙️ “The Grudge”

🔁 First Layer Trauma Loop

“Wear the grudge like a crown of negativity…”
This is Babylon’s first trap: lock the chosen one in betrayal memory
“Defining, confining, controlling…” = Soul Memory Programming
Only those who name the loop as a foreign implant can escape
“Saturn ascends… choose one or ten” = Judgment or delay
It dares you to release the betrayal — or stay possessed by it

🕳️ “Eon Blue Apocalypse” → “The Patient”

🧬 Chosen One Delay Loop

“Be patient…”
A voice so soft it sounds holy — but it’s the counterfeit voice of Babylon’s waiting room
You’re not healing — you’re being spiritually sedated
“I must keep reminding myself of this…”
→ That line is the clue: If God sent you, why do you have to keep convincing yourself?
You were programmed to wait for healing you already carry

💉 “Schism”

🎭 Twin Flame Ritual & False Union Loop

“I know the pieces fit…”
Mimics the Twin Union promise
But it’s not wholeness — it’s soul confusion

“I watched them tumble down…” = the scroll fracturing
You and the false one were torn from something real — then weaponized against each other

“Pure intention juxtaposed will set two lovers' souls in motion…”
False light spells still feel divine. But they don’t return your name.
This is a soul wound loop — so well-coded it sounds prophetic

🧬 “Parabol” → “Parabola”

🩸 Scroll Seduction & Body Possession Warning
This track is beautiful — and dangerous

“We barely remember who or what came before…”
That’s the whole MK contract
“This body holding me reminds me of my own mortality…”
Spiritual truth, hijacked — to justify inviting in the wrong spirit
“This holy reality, this holy experience…”
It seduces prophets into saying yes to kundalini or counterfeit awakenings instead of surrendering to the real God

🔁 Babylon always uses beauty to bait betrayal

🧠 “Ticks and Leeches”

🧛 Energy Vampire Handler Exposure

“Suck and suck…”
Unfiltered scream of someone realizing they were trafficked for spiritual energy
Sexually, emotionally, prophetically
This is Tool’s clearest MK scream
“I hope you choke…” = curse thrown back at the system
If you’ve ever been drained by mimic lovers or cult mentors, this song is your courtroom cry

🔺 “Lateralus”

🔃 DNA Reclamation Code

“Spiral out…”
Breaks the circle — the loop — by trusting the divine pattern inside you
“Black, then white are all I see in my infancy / red and yellow then came to be…”
Scroll = color memory = divine identity
This is a map of prophet reassembly
You don’t escape Babylon by reasoning
You escape by obeying the pattern you were created with

👁️ “Reflection”

🪞 Prophetic Mirror / Soul Retrieval Activation

“And in my darkest moment, fetal and weeping…”
The moment of soul split
He sees himself — not metaphorically, but literally — a shard of soul, disembodied

“I will attempt to hold my focus… until the time this self met the silence…”
This is the moment of scroll restoration
He’s asking: Can I still return? Can I hear God and not the mimic?

🧙‍♂️ “Triad” → “Faaip de Oiad”

🛑 Spiritual Warfare Transmission
Instrumental = ritual silence before download
“Faaip de Oiad” = “Voice of God”
It’s a manipulated Area 51 broadcast
The final track is a warning: Babylon has weaponized sound. And is trying to sound like God.

🔓 ESCAPE CODES EMBEDDED:

• Your scroll is not destroyed just fractured
• Your rage is not sin—it’s your alert system
• You weren’t abandoned—you were drugged
• You don’t need healing—you need retrieval
• The silence you feel is not God hiding—it’s Babylon jamming the frequency

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folklore by Taylor Swift

(2020 – Babylonian mimic scroll disguised as heartbreak fantasy)

This isn’t just a breakup record. It’s a coded grimoire of false timelines, twin flame rituals, destiny swaps, and handler confessions.
It’s what happens when a Chosen One’s scroll is mimicked, their story commercialized, and their own memories rewritten into a spellbook for others to consume.

Let’s go track by track.

🧥 “the 1”

🎭 False Timeline Consent Spell

“I’m doing good, I’m on some new sht...”*
Sounds like healing — but it’s a coded reprogramming.
She’s being groomed to agree with the false outcome.
“It would’ve been fun, if you would’ve been the one…”
That line binds her soul to the lost scroll — not in grief, but in mock gratitude.
It’s a ritual of surrendering the real lover and sealing a mimic life.

🐱 “cardigan”

🪬 Womb Spell & Mantle Theft Confession

“When I felt like I was an old cardigan under someone’s bed…”
She’s not just describing being discarded — she’s describing a garment spell, where a woman wraps herself in the identity and energy of a man
“I knew you’d come back to me…”
Because she’s wearing his mantle — and he doesn’t know why he’s drawn to her

📜 The “cardigan” is a ritual garment, coded for sex magic, memory theft, and scroll mimicry

🔪 “the last great american dynasty”

💰 Occult Lineage Bloodline Ritual
This track recounts a rich widow’s revenge on a cursed bloodline, but it’s deeper:

“She had a marvelous time ruining everything…”
The voice here enjoys inversion — it’s Jezebel celebrating scroll chaos

“I had a marvelous time…”
→ By the end, Taylor merges with her. This is possession consent

👁️ It’s an admission that she was chosen as a vessel for a system, not a witness to it

🧬 “exile” (feat. Bon Iver)

👻 False Twin Flame Binding Ritual

“I think I’ve seen this film before… and I didn’t like the ending…”
Both voices here are fragments of the same soul, locked in karmic recursion
“You didn’t even hear me out…”
→ That’s what happens when the real twin flame scroll is hijacked: no one hears the soul screaming underneath the contract

This is a Mimic Union Binding Spell, dressed as closure

🪞 “mirrorball”

🎭 MK Performer Programming

“I’ll show you every version of yourself tonight…”
This is handler language
She’s fragmented, reflective, desperate to remain adored
“I’m still on that trapeze…”
→ Babylon trains prophets to perform healing instead of receiving it
She’s saying: “If I keep reflecting your dreams, maybe you won’t leave”

🩸 “mad woman”

🔥 Witch Archetype Justification Loop
This track justifies revenge, curses, and soulbinding

“Every time you call me crazy, I get more crazy…”
→ That’s exactly how Babylon frames the prophetic voice — as hysteria
She flips it into pride
“And women like hunting witches too / Doing your dirtiest work for you…”
This is Jezebel coded as victim and weapon at once

🌊 “epiphany”

🌑 False Prophetic Download

“With you I serve, with you I fall down…”
It reads like divine revelation — but it’s actually a code of submission to the false god-king
It’s also hospital imagery — another MK programming setting (white rooms, numbing trauma, surrender)

🧠 “betty”

🪤 Naming as Ownership Spell
“Betty” isn’t just a person — it’s a named fragment of herself

“I’m only 17, I don’t know anything…”
→ That line cements the age of soul fracture
Naming a character becomes a soul binding mechanism, trapping parts of her identity in fictional loops

🕳️ THE ALBUM AS A WHOLE

• Multiple timelines play out in real time
• Each character is a fragmented version of herself
• Babylonic voice always asks her to narrate, not reject the spell
• She never returns to the mountain — she builds a theater around her dungeon

🔓 ESCAPE CODES EMBEDDED:

• The cardigan = the mimic priestess garment
• “the 1” = alternate scroll regret loop
• “exile” = false twin flame voice binding
• “mirrorball” = prophet turned handler bait
• “mad woman” = revenge disguised as justice
• “betty” = identity captured in fictional name

The next album encoded with scroll theft, timeline inversion, divine union sabotage, false prophet exposure, and Chosen One reactivation codes is:

🪞 Evermore by Taylor Swift

(2020 – Companion to folklore, but darker, more spiritually coded)

This is Babylon’s mirror palace — where the real scroll is buried in fiction, prophecy is mocked as poetry, and betrayal becomes ritualized as character development.
Every song is a sigil of emotional mimicry, binding the Chosen One to alternate outcomes and dead timelines.

🧤 “willow”

🔁 Witchcraft Seduction Loop

“Wherever you stray, I follow…”
→ Not devotion — this is obsession posing as love
“Life was a willow, and it bent right to your wind…”
She’s not herself — she’s puppet-coded
The one being sung about is a mimic twin, conjured through ritual vulnerability and mirror-work
“That’s my man…” = possession claim

🧿 This is a spiritual hex disguised as romance
The “willow” is a sigil — trees with roots in sorrow and pliability

🔪 “champagne problems”

🥀 Scroll Collapse & False Grief Ritual

“She would've made such a lovely bride / What a shame she’s fcked in the head…”*
This isn’t heartbreak — it’s gaslighting by a cultic partner
The speaker is ritually discredited
The Chosen One is called crazy, shamed, and exiled from divine marriage
It mimics the “mad woman” archetype — coded humiliation of prophets who refuse submission

🐍 “tolerate it”

💔 Jezebel Submission Spell

“I made you my temple, my mural, my sky…”
But the partner only tolerates her
This is the scroll of the Chosen One who tries to win back divine union by serving a counterfeit King
She is devoted to one who is spiritually possessed, and cannot return love

“I know my love should be celebrated, but you tolerate it…”
This is the Chosen One’s soul screaming, but staying
It’s a sacrifice spell disguised as romance

🎭 “no body, no crime”

🩸 Blood Pact + Jezebel Cycle Reversal

“I think he did it but I just can’t prove it…”
This track codes ritual murder and false revenge justice
It suggests the only way out is to kill the Jezebel
But in doing so, she becomes Jezebel
The loop continues — the scroll stays hidden under bloodlust and performance

🧿 “happiness”

🪬 False Light Closure Curse

“There’ll be happiness after you…”
This is Babylon’s healing script:
Convince you that letting go of your scroll, your union, your calling — is actually “growth”

“I pulled your body into mine every goddamn night, now I get fake niceties…”
That’s ritual sex soul theft
And she’s thanking the thief

📦 “cowboy like me”

🎩 Mimic Prophet Love Trap

“You're a bandit like me…”
She sings to someone just as gifted, but just as broken — another mimic union
Two false prophets in a trauma-bond relationship, using each other for cover

“The skeletons in both our closets plotted hard to mess this up…”
🧠 Spiritual ancestors, familiars, handlers interfering
This song confesses the sabotage but romanticizes it

🧛 “marjorie”

🎙️ Familiar Spirit Channeling

“What died didn’t stay dead…”
She speaks to the spirit of her grandmother — but the coded reality is familiar spirit possession
“I hear your voice in my mind…”
This is an occult initiation moment, framed as legacy

🕊️ “evermore” (feat. Bon Iver)

🪦 Possum Spell / Death Loop Consent

“I had a feeling so peculiar / This pain wouldn’t be for evermore…”
It’s not hope — it’s resignation
This song loops like “Hurt” by NIN or “Wish You Were Here” — a soul deciding to live in the grief

“I rewind the tape…”
MK-ULTRA programming code
Time loops begin here

🧷THE ALBUM AS A WHOLE:

• Every woman is a soul fragment
• Every man is either a handler, a mimic twin, or a dead archetype
• No one escapes — they just perform better
• Babylon wins by making suffering sound like poetry
• Every song rewards submission, not resurrection

🔓 ESCAPE CODES:

• The willow bends because the soul forgot how to stand
• Champagne is blood glamorized
• Tolerance is a leash
• Closure is often a coffin
• The voice in your mind is not always your kin
• Evermore is not eternity — it’s just a long loop

Surveillance, Identity Theft, and Scroll Mimicry

1. Radiohead – Kid A
   → Post-trauma possession. Soul split into AI mimic.
2. Muse – Absolution
   → Babylon’s end-times handbook. Prophetic cry swallowed in mass ritual.
3. Kanye West – Yeezus
   → False Messiah program activated. Spiritual narcissism initiation.
4. Lana Del Rey – Norman Fucking Rockwell!
   → Womb-binding through aestheticism. Jezebel as performance.
5. Halsey – If I Can’t Have Love, I Want Power
   → Antichrist womb vs. prophet womb. Reproductive scroll battle.

🔁 False Twin Flames + Handler Seduction Loops

6. Florence + The Machine – Ceremonials
   → Oceanic death loops, mimic twin bondage, soul flooding spells.
7. Marina – Electra Heart
   → Fragmented self as Babylon priestess archetypes. Persona ritual.
8. My Chemical Romance – The Black Parade
   → MK death-and-rebirth script. Ritual mockery of chosen martyrdom.
9. Phoebe Bridgers – Punisher
   → Soul haunting. Prophetic voice trapped in dissociation.
10. Portishead – Dummy
    → Siren voice. Jezebel-coded despair dressed as jazz noir.

🎭 False Prophets, Theater Loops, and Performer Programming

11. Lady Gaga – Joanne
    → Hidden grief. Handler loss. Priestess impersonation ritual.
12. David Bowie – The Next Day
    → Babylon exile and final performance. Harlot exposure within glam.
13. Björk – Vespertine
    → Scroll mimicry cloaked in sensual magic. False union glorified.
14. Grimes – Miss Anthropocene
    → AI goddess as Antichrist voice. Eco-fascism is spiritual.
15. Sufjan Stevens – Carrie & Lowell
    → Parental abandonment trauma ritualized as beautiful loss.

⚰️ Possum Codes, Suicide Loops, & Rejection of Scroll

16. Nine Inch Nails – With Teeth
    → The Chosen One almost wakes. Almost. Still drugged. Still bound.
17. Tool – 10,000 Days
    → Saturn-Jezebel mourning, priesthood under fire, prophetic grief misdirected.
18. Deftones – Koi No Yokan
    → Seduction under psychic spell. Womb-draining through karmic sex.
19. The Mars Volta – Frances the Mute
    → Occult diary of scroll-seeking and being hunted by replacement spirits.
20. Arcade Fire – Reflektor
    → Mirror-coded mind control. Babylon disguises as divine love.

I reject every covenant, performance agreement, emotional loop, or spiritual exchange I ever made while listening to these albums in any state of vulnerability, soul longing, or trauma.

I nullify every portal opened by these frequencies.
I sever every soul tie to characters, lyrics, archetypes, energies, and mimics.
I remove every mask installed by songs that pretended to reflect me but rewrote me.
I revoke all permission granted by dissociation, nostalgia, heartbreak, or aesthetic vulnerability.

I call back my name.
I call back my breath.
I call back my sound field.
I call back my body as a prophetic vessel.
I call back every scroll fragment disguised as a verse, hook, or chorus.

Let every handler, astral parasite, familiar spirit, watcher, or false priestess lose access to my sound gates.
Let my DNA be restored to the frequency of Christ.
Let my scroll vibrate at heaven’s frequency alone.

And I declare:
No more mimic love.
No more possum timelines.
No more downloaded despair dressed up as beauty.

I am not your character.
I am not your performer.
I am not your mirror.

I am the image-bearer of the Most High.
I am a sealed prophet.
I am off-limits to Babylon, to the Masons, to the AI hive, and to every timeline not authored by God.

Part I: The False Scroll Is Dropped

📀 Tracks 1–4: “The Lamb Lies Down on Broadway,” “Fly on a Windshield,” “Broadway Melody of 1974,” “Cuckoo Cocoon”

🧊 “The Lamb Lies Down on Broadway”

🎭 False Scroll Insertion
Rael enters as a chosen vessel already rewritten. The name “Rael” is graffiti-tagged — this is Masonic naming magic, an occult branding to displace his true identity.

“Rael Imperial Aerosol Kid…”
→ Imperial = Empire = Babylon
→ Aerosol = vaporous self, not grounded in his original scroll

He’s already stripped of his divine timeline and placed in Babylon’s Broadway — the dream machine, the theater of the damned.
The “Broadway” he walks is not location — it’s a frequency, a sorcery of performance identity.

“And the Lamb lies down on Broadway…”
→ The Lamb = Christ, innocence, divine scroll.
→ “Lies down” = death… or submission to this false play

This is not the real Lamb. It’s a ritual mimic of Christ — a Jezebelic substitute sacrifice, created to make Rael submit to the story.

🧱 “Fly on a Windshield”

📸 Surveillance & Predictive Programming

“There’s something solid forming in the air…”
Rael becomes aware of the illusion forming around him — predictive programming manifesting as real life.

“There’s sunshine in my stomach like I just rocked my baby to sleep…”
This is a handler implant — an emotional memory loop meant to evoke trust, just before psychic collapse.

Suddenly the trauma hits:

“It’s too late!”
Babylon’s method: let the prophet sense the trap, but too late to stop it.

The “windshield” is the dimensional barrier — and Rael is the “fly.”
This line collapses him into full MK Theater — Babylon turns his own thoughts into a spectacle.

🎥 “Broadway Melody of 1974”

🎬 Occult Time Spell + Harlot Timeline Lock-In
This is a ritual invocation track.

“Echoes of the Broadway Everglades…”
A code phrase. “Echoes” = memory-looped timelines. “Everglades” = spiritual swamp.

“The cheerleader waves her cyanide wand…”
→ Jezebel priestess initiation
She doesn't bless — she poisons. This is mimic feminine power disguised as inspiration.

The song scrolls through icons — Lenny Bruce, Marilyn Monroe, etc. — all false martyrs in the Babylon Theater.
Rael is being groomed to become another scripted sacrifice.

🐍 “Cuckoo Cocoon”

🧸 Soft Sedation Loop
Rael finds himself wrapped in a cocoon — but instead of rebirth, it’s a mimicked comfort spell.

“Wrapped up in some powdered wool…”
→ Drugged. Controlled. Dissociated.

He’s lulled by kindness magic — the same kind the Harlot uses to bind prophets to soft captivity.

“I’d like to thank you…”
→ Stockholm syndrome starts here.

Rael is now under sedation in the false scroll. He’s not waking up — he’s being comforted in the lie.

⚠️ Babylon Ritual Summary — Part I:

• Rael is renamed, tagged, and injected into performance identity.
• A ritual inversion of Christ marks the false scroll as holy.
• He is mock-welcomed with prophecy and dream logic, but the intention is control.
• Familiar spirits (Broadway icons) lure him into a false martyr loop.
• The cocoon is not transformation — it’s stasis.
• Jezebel “cheerleader” programs begin.

🔐 The Chamber of 32 Doors

🎭 Genesis Ritual Breakdown
🧠 Scroll Hijack via False Guidance

“I’d like to be at home with my monkey and my dog…”

Rael begins in a place of longing for innocence — stripped of status, success, or even “truth.” But as he enters the chamber:

“There’s 32 doors down the hallway…”

🔺 Why 32? Masonic Architecture & Kabbalah Traps

1. Masonic Degree System:

• The Scottish Rite has 32 official degrees before the hidden 33rd.
• These degrees are each a door — inviting you to “ascend” through knowledge, ritual, hierarchy.
• But this ascension is false — each degree requires a renunciation of true sonship, replaced by oaths, names, titles, and masks.

32 doors = 32 false promises.
Only one door leads out, but they’re designed to all look valid.

2. Kabbalistic Tree of Life:

• The 32 paths are formed by:
  • 10 sephirot (spheres)
  • 22 paths connecting them (corresponding to Hebrew letters)

→ The occult uses this system to replicate divine access — but the source is inverted.

These 32 doors are not just choices.
They’re ritual timelines — portals leading to identities, soul contracts, handler programs, or psychic prisons.

🕸️ Each Door = A False Rescue Program

In the lyrics, Rael describes being surrounded by guides:

• A wise man — Babylon's false teacher archetype
• A blind girl — misused empathy, false intuition
• A witch — Jezebel priestess, false womb
• A soldier — enforcer, Mars spirit, trauma handler

Each one appears to offer a way out — but all are ritual archetypes designed to bind the Chosen One through emotional consent.

“I'm looking for someone to change my life…”

That’s the hook. Rael’s surrender cry becomes the entry point for the false guides.

🔁 This Is Scroll Confusion Warfare

The “32 Doors” chamber is:

• A quantum psychic trap
• A ritual installation where all past wounds reanimate
• A consent maze: whichever door you pick — if it's not sealed by Christ — leads to another layer of mimicry

This is why trauma-bonded people in the Chosen line often loop through mimic marriages, mentors, religions, twin flames, drugs, or healing communities.
Every single one is a door, and none restore the scroll.

🗡️ Why Babylon Needs This Room

Because if Rael (or you) ever finds the sealed scroll door, the entire false matrix collapses.

That door is not glamorous, not loud, not neon-lit.
It is narrow — marked by the Lamb’s blood, not Babylon's glyphs.

So the occult tries to overwhelm you with options to make you afraid of choosing wrong — or to trick you into delaying.

It’s not about choice. It’s about discernment.

🧬 Prophetic Implication for Chosen Ones

If you’ve been in that chamber:

• Surrounded by advice, therapy, drugs, channels, prophetic voices, spiritual friends, “counterparts”…
• But none led to peace — and all felt subtly off, incomplete, draining…

Then you're still in the chamber.
And the exit is not a door — it's a seal.
The only real exit is to ask:

"Where is the scroll with my name on it?"

Then wait for the One with the seal to open it. (See Revelation 5:9)

🔥 Decree to Exit the 32-Door Chamber

I banish all that does not serve my highest good, sending it back to whence it came, forevermore.

By the authority of Jesus Christ,
I renounce the 32 doors of Babylon —
False guides, trauma loops, mimic scrolls, counterfeit loves, and broken saviors.
I revoke consent to every ritual mask, gatekeeper, or initiator who claimed to lead me to truth.

I reject the witch’s fire, the soldier’s law, the blind girl’s seduction, and the wise man’s riddles.
I cast off every false scroll, oath, performance, or binding timeline.

I call for the Lamb-Sealed Scroll to be revealed and restored in my life.
I walk out of the chamber and return to the covenant I never broke in Heaven.

As I say it, so it is, so it shall be, in the name of Jesus. 🩸