"The West Wing", Aaron Sorkin’s critically acclaimed political drama series, is no stranger to episodes that are jam-packed with a variety of subplots, which often surpass the main storyline in terms of emotional depth and creativity. One such episode is "Ellie". Though the main storyline fell somewhat flat in engaging viewers, the subplots within the episode more than made up for it. A particular subplot that stood out was Toby’s struggles with implementing his plans for Bartlet’s re-election.

Toby’s Relentless Pursuit

As the White House Communications Director, Toby is often portrayed as gruff, but undeniably passionate about his work. In “Ellie”, he ventures into new territory as he tries to appeal to right-wingers through bipartisan policies, a move which shows that his character is capable of nuance and adaptability. To achieve this, he seeks help from his ex-wife, Congresswoman Andrea Wyatt. Through their interactions, we gain a rare insight into Toby's complex character, and his dynamic relationship with Andy. Their past is revealed through their banter and how they professionally and personally challenge each other. This subplot emphasizes Toby's relentless pursuit to do what is best for the country, even if it means turning to those from whom he is personally estranged.

The Rubber Ball and the Spectrum of Emotions

In addition to Toby's character development, the episode does something remarkable in using a simple prop – a rubber ball – to mirror his emotions. Throughout the episode, Toby is seen fidgeting and playing with this ball, as if it is an extension of his emotional state. When he is anxious or stressed, the bouncing and squeezing of the ball are more pronounced. This rubber ball serves as a non-verbal means for Toby to communicate his state of mind. Moreover, it’s a subtle, yet clever way the production used a simple object to enhance the depth and relatability of a character.

Meta-commentary on Hollywood’s Tactics

The episode further broadens its reach by tackling an issue outside the political sphere. Sam, the Deputy White House Communications Director, becomes entangled in a dispute with a film producer over an inappropriate movie. Through sharp dialogue and Sam’s righteous indignation, this subplot offers meta-commentary on Hollywood’s controversial tactics and the industry’s tendency to sacrifice ethics for the sake of entertainment. As “The West Wing” itself is a Hollywood production, this subplot serves as a moment of self-awareness and an acknowledgement of the responsibilities that come with the power of media.

A Missed Opportunity: Analyzing the Main Plot Lines

While the subplots of “Ellie” offer depth and complexity, the main plot lines in this episode seem underdeveloped and antiquated in comparison. One of the main storylines revolves around Dr. Griffith, the Surgeon General, speaking her mind on marijuana. Her candidness is admirable and reflects a commitment to honesty that is often elusive in politics.

This becomes especially poignant when juxtaposed with President Bartlet’s ongoing secret regarding his health condition, multiple sclerosis. The contrast is striking, and as an audience, we are left to wonder whether the President should also uphold the same level of honesty and transparency that Dr. Griffith does. This parallel could have been further explored, as it raises important ethical questions about leadership, personal integrity, and the responsibility of public figures.

The Father-Daughter Relationship

Another central storyline of the episode is centered around President Bartlet’s relationship with his daughter, Eleanor Bartlet, affectionately known as Ellie. Up until this point in the series, Ellie has been a rather peripheral character. Suddenly, she is thrust into the limelight and the episode takes its title from her name.

This could have been an opportunity for an emotional treasure trove. Exploring the relationship between a President and his daughter, who has largely remained in the shadows, could have opened avenues for emotional depth, conflicts, and reconciliation. The portrayal of a strained father-daughter relationship juxtaposed with the pressures of leading a nation could have added layers to President Bartlet’s character as well.

However, “Ellie” does not fully realize this potential. While there are moments where we can sense the emotional undercurrents, the episode does not delve deeply enough into their relationship or the pressures and challenges that Ellie might face as the daughter of the President. The main plot feels hurried, and the emotional connections underexplored.